In BORN FREE, filmmaker Paula James Martinez travels across the US to understand what makes it the most dangerous and most expensive nation in the developed world to give birth in. From heartbreaking personal stories to harrowing facts and the words of experts both in the medical and legal fields, BORN FREE shines a light on the true cost of giving birth in the US.

"The Cost of Living" was shot on location in Cromer on the Norfolk Coast in England: a typical, old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough, confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determined not to let his disabilities or society's prejudices get in his way. A series of inter-linking scenes shows how Eddie and David negotiate life, fall in and out of relationships and survive day to day.

"The Cost of Living" was shot on location in Cromer on the Norfolk Coast in England: a typical, old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough, confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determined not to let his disabilities or society's prejudices get in his way. A series of inter-linking scenes shows how Eddie and David negotiate life, fall in and out of relationships and survive day to day.

A short film about Yuri and his journey taking Gendora, an underground medication.

Another thrilling adventure for Elsa the lioness as she works her magic on two teenagers struggling with changes in their life.

Two young security guards at an unusual corporation have a bad night.

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

Nat Turner, a former slave in America, leads a liberation movement in 1831 to free African-Americans in Virginia that results in a violent retaliation from whites.